Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts

Saturday, March 24, 2018

Meteorology

Who could have predicted this season?
No computer model nor NOAA scientist sounded the sirens
telling us of the storm cells in your body.

Had I an early warning system,
radar that showed me the fatal confluence
of the incoming front,
I would have built a tornado-proof box
from bone. 
Sinew. 
Wire.
I would have sheltered you until
the gale passed.
I would have wrestled the wind itself
until the eye of the hurricane swerved and you were not drowned.

I could do nothing.
The storm ravaged you.

No weather report warned us.
There was no duck and cover
only corrosion and pain.

I am still here, walking
through the wreckage. 
I hold waterlogged photos
and torn notes
the remains of our life after
the tempest swept through and tore you
away.

In the aftermath, no green, wet smell of possible regrowth.
I struggle to weather

the widow’s storm season.

(c) Laura Packer
Please do not steal.
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www.thinkstory.com
(c)2018 Laura S. Packer Creative Commons License

Monday, October 9, 2017

50 for 50 day 33: Another poem I love

A long one that takes some work. That isn't a bad thing. You can find more by Joy Harjo here.

She Had Some Horses

Joy Harjo
(c) Joy Harjo
I. She Had Some Horses

She had some horses.
She had horses who were bodies of sand.
She had horses who were maps drawn of blood.
She had horses who were skins of ocean water.
She had horses who were the blue air of sky.
She had horses who were fur and teeth.
She had horses who were clay and would break.
She had horses who were splintered red cliff.

She had some horses.

She had horses with eyes of trains.
She had horses with full, brown thighs.
She had horses who laughed too much.
She had horses who threw rocks at glass houses.
She had horses who licked razor blades.

She had some horses.

She had horses who danced in their mothers' arms.
She had horses who thought they were the sun and their
bodies shone and burned like stars.
She had horses who waltzed nightly on the moon.
She had horses who were much too shy, and kept quiet
in stalls of their own making.

She had some horses.

She had horses who liked Creek Stomp Dance songs.
She had horses who cried in their beer.
She had horses who spit at male queens who made
them afraid of themselves.
She had horses who said they weren't afraid.
She had horses who lied.
She had horses who told the truth, who were stripped
bare of their tongues.

She had some horses.

She had horses who called themselves, "horse."
She had horses who called themselves, "spirit," and kept
their voices secret and to themselves.
She had horses who had no names.
She had horses who had books of names.

She had some horses.

She had horses who whispered in the dark, who were afraid to speak.
She had horses who screamed out of fear of the silence, who
carried knives to protect themselves from ghosts.
She had horses who waited for destruction.
She had horses who waited for resurrection.

She had some horses.

She had horses who got down on their knees for any saviour.
She had horses who thought their high price had saved them.
She had horses who tried to save her, who climbed in her
bed at night and prayed.

She had some horses.

She had some horses she loved.
She had some horses she hated.

These were the same horses.


II. Two Horses

                   I thought the sun breaking through Sangre de Cristo
Mountains was enough, and that
                                                           wild musky scents on my body after
            long nights of dreaming could
                                                        unfold me to myself.
                 I thought my dance alone through worlds of
odd and eccentric planets that no one else knew
       would sustain me. I mean
                                                     I did learn to move
                                                                                       after all
    and how to recognize voices other than the most familiar.
           But you must have grown out of
                                                                      a thousand years dreaming
               just like I could never imagine you.
                         You must have
                                                    broke open from another sky
to here, because
                             now I see you as a part of the millions of
     other universes that I thought could never occur
        in this breathing.
                                       And I know you as myself, traveling.
   In your eyes alone are many colonies of stars
                                                              and other circling planet motion.
                                           And then your fingers, the sweet smell
                                            of hair, and
                                                                 your soft, tight belly.
       My heart is taken by you
                        and these mornings since I am a horse running towards
a cracked sky where there are countless dawns
                                                      breaking simultaneously.
There are two moons on the horizon
and for you
                     I have broken loose.


III. Drowning Horses

She says she is going to kill
herself. I am a thousand miles away.
Listening.
                   To her voice in an ocean
of telephone sound. Grey sky
and nearly sundown; I don't ask her how.
I am already familiar with the weapons:
a restaurant that wouldn't serve her,
the thinnest laughter, another drink.
And even if I weren't closer
to the cliff edge of the talking
wire, I would still be another mirror,
another running horse.

Her escape is my own.
I tell her, yes. Yes. We ride
out for breath over the distance.
Night air approaches, the galloping
other-life.

No sound.
No sound.


IV. Ice Horses

These are the ones who escape
after the last hurt is turned inward;
they are the most dangerous ones.
These are the hottest ones,
but so cold that your tongue sticks
to them and is torn apart because it is
frozen to the motion of hooves.
These are the ones who cut your thighs,
whose blood you must have seen on the gloves
of the doctor's rubber hands. They are
the horses who moaned like oceans, and
one of them a young woman screamed aloud;
she was the only one.
These are the ones who have found you.
These are the ones who pranced on your belly.
They chased deer out of your womb.
These are the ice horses, horses
who entered through your head,
and then your heart,
your beaten heart.

These are the ones who loved you.
They are the horses who have held you
so close that you have become
a part of them,
                          an ice horse
galloping
                 into fire.


V. Explosion

The highway near Okemah, Oklahoma exploded

                                                           They are reasons for everything
Maybe             there is a new people, coming forth
                         being born from the center of the earth,
                         like us, but another tribe.

Maybe             they will be another color that no one
                         has ever seen before. Then they might be hated,
                         and live in Muskogee on the side of the tracks
                         that Indians live on. (And they will be the
                         ones to save us.)

Maybe             there are lizards coming out of rivers of lava
                         from the core of this planet,

                                                               coming to bring rain

                         to dance for the corn,
                         to set fields of tongues slapping at the dark
                         earth, a kind of a dance.

But maybe the explosion was horses,
                                                          bursting out of the crazy earth
near Okemah. They were a violent birth,
flew from the ground into trees
                                                         to wait for evening night
mares to come after them:
                        
then                 into the dank wet fields of Oklahoma
then                 their birth cords tied into the molten heart
then                 they travel north and south, east and west
then                 into wet while sheets at midnight when everyone
                         sleeps and the baby dreams of swimming in the
                         bottom of the muggy river.
then                 into frogs who have come out of the earth to
                         see for rain
then                 a Creek woman who dances shaking the seeds in
                         her bones
then                 South Dakota, Mexico, Japan, and Manila
then                 into Miami to sweep away the knived faces of
                         hatred

Some will not see them.

But some will see the horses with their hearts of sleeping volcanoes
and will be rocked awake
                                             past their bodies

                                                   to see who they have become.
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Wednesday, September 27, 2017

50 for 50, days 20 & 21: A poem I love

This is the 20th and 21st of 50 posts celebrating my 50th birthday. You can see the rest here.

It isn't that I didn't think of you yesterday. It's that I am on vacation and gave myself a good and proper day off. It was wonderful. I've already written about rest and forgiveness, so skipping yesterday was a good example of both.

Today I want to share with you a poem I love. There are many poems that move me, this is just one of a collection that have helped me through many journeys. I first came across the work of Rupert Brooke in a collection of World War I poetry; so much powerful and innovative work was written by men who eventually died in that conflict. It reminds me (again) of why tyrants kill the poets and storytellers first.

This is far more than a catalog of the things the writer loves. It is a celebration of the things that make life worth fighting for. When you remember that this poem was written while Brooke was a soldier in a brutal conflict, it takes on even more meaning. I (and many others) have written other works in the style of this poem, some that I may share in this blog series, but this stands alone for me as a love song to the world.

So tell me, what do you love?

The Great Lover
Rupert Brooke, 1887-1915
I HAVE been so great a lover: filled my days
So proudly with the splendour of Love's praise,
The pain, the calm, and the astonishment,
Desire illimitable, and still content,
And all dear names men use, to cheat despair,         5
For the perplexed and viewless streams that bear
Our hearts at random down the dark of life.
Now, ere the unthinking silence on that strife
Steals down, I would cheat drowsy Death so far,
My night shall be remembered for a star  10
That outshone all the suns of all men's days.
Shall I not crown them with immortal praise
Whom I have loved, who have given me, dared with me
High secrets, and in darkness knelt to see
The inenarrable godhead of delight?  15
Love is a flame;—we have beaconed the world's night.
A city:—and we have built it, these and I.
An emperor:—we have taught the world to die.
So, for their sakes I loved, ere I go hence,
And the high cause of Love's magnificence,  20
And to keep loyalties young, I'll write those names
Golden for ever, eagles, crying flames,
And set them as a banner, that men may know,
To dare the generations, burn, and blow
Out on the wind of Time, shining and streaming....  25
These I have loved:
      White plates and cups, clean-gleaming,
Ringed with blue lines; and feathery, faery dust;
Wet roofs, beneath the lamp-light; the strong crust
Of friendly bread; and many-tasting food;  30
Rainbows; and the blue bitter smoke of wood;
And radiant raindrops couching in cool flowers;
And flowers themselves, that sway through sunny hours,
Dreaming of moths that drink them under the moon;
Then, the cool kindliness of sheets, that soon  35
Smooth away trouble; and the rough male kiss
Of blankets; grainy wood; live hair that is
Shining and free; blue-massing clouds; the keen
Unpassioned beauty of a great machine;
The benison of hot water; furs to touch;  40
The good smell of old clothes; and other such—
The comfortable smell of friendly fingers,
Hair's fragrance, and the musty reek that lingers
About dead leaves and last year's ferns....
                                    Dear names,
And thousand others throng to me! Royal flames;  45
Sweet water's dimpling laugh from tap or spring;
Holes in the ground; and voices that do sing:
Voices in laughter, too; and body's pain,
Soon turned to peace; and the deep-panting train;
Firm sands; the little dulling edge of foam  50
That browns and dwindles as the wave goes home;
And washen stones, gay for an hour; the cold
Graveness of iron; moist black earthen mould;
Sleep; and high places; footprints in the dew;
And oaks; and brown horse-chestnuts, glossy-new;  55
And new-peeled sticks; and shining pools on grass;—
All these have been my loves. And these shall pass.
Whatever passes not, in the great hour,
Nor all my passion, all my prayers, have power
To hold them with me through the gate of Death.  60
They'll play deserter, turn with the traitor breath,
Break the high bond we made, and sell Love's trust
And sacramented covenant to the dust.
—Oh, never a doubt but, somewhere, I shall wake,
And give what's left of love again, and make  65
New friends, now strangers....
                  But the best I've known,
Stays here, and changes, breaks, grows old, is blown
About the winds of the world, and fades from brains
Of living men, and dies.
                  Nothing remains.
  
O dear my loves, O faithless, once again  70
This one last gift I give: that after men
Shall know, and later lovers, far-removed
Praise you, "All these were lovely"; say, "He loved."

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Sunday, September 10, 2017

50 for 50, day four: Be the fox

I have posted this poem at least three times. It's worth posting again, especially at this age, in this era.
This is what 50 looks like: Unashamed to go in the wrong direction. With thanks to Elsa who introduced me to this poem.

Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that won’t compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millennium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion – put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didn’t go. Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
Manifesto: The Mad Farmer Liberation Front” from The Country of Marriage
Copyright © 1973 by Wendell Berry
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www.thinkstory.com
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Friday, February 6, 2015

Meteorology

Meteorology
(c) 2015 Laura Packer

Who could have predicted this season?
No computer model nor NOAA scientist sounded the sirens
telling us of the storm cells in your body.
Had I an early warning system,
radar that showed me the fatal confluence
of the incoming front,
I would have built a tornado-proof box
from bone. 
Sinew. 
Wire.
I would have sheltered you until
the gale passed.
I would have wrestled the wind itself
until the eye of the hurricane swerved and you were not drowned.

I could do nothing.

The storm ravaged you.

No weather report warned us.
There was no duck and cover
only corrosion and pain.

I am still here, walking
through the wreckage. 
I hold waterlogged photos
and torn notes,
the remains of our life after
the tempest swept through and tore you
Away.

In the aftermath, no green, wet smell of possible regrowth.
I struggle to survive

the widow’s storm season.

(I am at Camp Widow this weekend. I'm wrestling with how to process all of this, being around so many people who know without any question what I am going through. It is liberating and terrifying, relieving and infinitely sad. I will write about it another time. Be well.)

(If you want to read a stunning, thoughtful piece on love and loss, read this piece by Elizabeth Alexander. She says pretty much everything I would like to say.)

(45 weeks. 
I am composed of lightening, driving rain, the occasional beam of unbearable light, shimmering beauty through the dark clouds. I love you.)

(c)2015 Laura S. Packer Creative Commons License

Wednesday, March 12, 2014

The poems that feed us

I am reading a lot of poetry these days. It is carrying me through the long bedside nights and the days peppered with questions and new worries.

I'd like to share some of the more meaningful poems with you.
So I'll start here.

For Kevin, from me and e.e. cummings.





since feeling is first

since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;

wholly to be a fool
while Spring is in the world

my blood approves,
and kisses are better fate
than wisdom
lady i swear by all flowers. Don't cry
—the best gesture of my brain is less than
your eyelids' flutter which says

we are for each other: then
laugh, leaning back in my arms
for life's not a paragraph

And death i think is no parenthesis

(c)2014 Laura S. Packer Creative Commons License

Thursday, December 5, 2013

Storyquote: Anti-Fairy Tale

Anti-Fairy Tale
By Aryelle

You can keep your Prince Charming
And your Love At First Sight.
A Land Far, Far Away was never my home.
I'll be no Damsel in Distress
Waiting for a White Knight to charge up
And rescue me from the Dragon;
Forget riding off into the Sunset.
I don't want a Fairy Tale.
Being a Princess is boring,
And being Queen is no better.
I was born without a matronly Fairy Godmother,
Ditto a tragic Curse or Prophecy.
There's no Evil Stepmother waiting for me at home.
I'm happy not being the Fairest In The Land.
True Love's Kiss isn't what I'm looking for;
Mine isn't a Forbidden Love.
I'll skip the Royal Ball,
Glass Slippers are uncomfortable
And Pumpkin Carriages are slow.
My hair is not spun Sunlight,
Nor is my skin like Snow;
I can't sing the Birds from the Trees.
Once Upon A Time isn't my beginning,
And I won't live Happily Ever After;
But I promise you, I will live.

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Friday, August 30, 2013

RIP Seamus Heaney

Digging
Seamus Heaney

Between my finger and my thumb  
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound  
When the spade sinks into gravelly ground:  
My father, digging. I look down

Till his straining rump among the flowerbeds  
Bends low, comes up twenty years away  
Stooping in rhythm through potato drills  
Where he was digging.

The coarse boot nestled on the lug, the shaft  
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.

By God, the old man could handle a spade.  
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

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Wednesday, December 5, 2012

Endings and beginnings


My life has been a bit of a wild ride lately. I’m not complaining, merely observing, that having a birthday, attending two intellectual conferences (presenting at one), deciding to move half-way across the country, quitting a job and leaping into self-employment, all within the space of two months, is a lot. I’ve had to reset my thinking about the world and my place in it several times in rapid succession.

While overwhelming, I think this is good. When we become too comfortable, we cease growing; it’s these periods of rapid acceleration that help us see who we really are and uncover new potential, but boy, this has been a roller-coaster. It’s included quite a few goodbyes and hellos with more coming and, I’ve realized, this is something we’re not taught to handle, not in school, not in work, not in most of our lives.

Endings and beginnings happen all the time. From the first time we go to school (both an ending and a beginning) to our deaths (an ending and maybe a beginning) we have repeated opportunities to shed the old and embrace the new. American culture, at least, teaches us that it’s the beginnings that matter, far more than the endings, yet I think there are strong lessons to be learned from each. The last few months have really highlighted that for me.

Last week I left a job I’d held for over 12 years. In that time I’d grown, stagnated, succeeded, failed, helped and hurt the organization I worked for. Over my last few weeks at this company I had many people tell me that they didn’t want me to leave, that the place would never be the same. I didn’t really know how to respond at first but, as I thought about it, I realized this was an opportunity not only for me, but for the organization. Sure, I represented something there. Sure, I hold knowledge that may not be replaced. But my absence allows the company to look for new solutions to the holes I had filled, find new and possibly better ways to solve problems. It allows the organization to grow mindfully, just as I am growing mindfully by leaving. I take with me a wealth of experience and lessons learned - it wasn’t time wasted. It’s at once an ending and a beginning.

It’s the same thing as I leave the New England storytelling community for a cross-country move. 
This is the community that has nurtured me, held me, shaped me and helped me become the teller and person I am now. And I’ve had an impact on this community, organizing events, mentoring new tellers and so on. As I leave, there are voids that will open up, places into which others can grow. As I leave, it’s the end of a period of my life, but a new one begins. It’s a time of rich possibility. 

There is that trite saying, For every door that closes a window opens. I don’t know if this is always true, but I do know that endings create opportunity for reflection and growth that we would not otherwise receive. Endings create space we might not have otherwise noticed. Endings are a kind of beginning, if only because they provide an opportunity for a pause in the midst of an otherwise busy world. I wish we valued endings more, or at least were more willing to talk about them - even the hardest of endings give us opportunities to do what we might not have otherwise done.

The hero needs to ride off into the sunset before she can find her next adventure. The town needs to bid her adieu before they can build the next great thing. We need to cry, grieve, mourn before we can move on. Buried in each ending is possibility and the potential for new worlds. Even in midst of our own deaths, if we are lucky, there is opportunity for new experience and growth. Even as we say goodbye to those we love, we can create new stories, new memories and new relationships.

Treasure your endings and do not consider them failures. They are the universe reminding us that now is the time to grow, to go, to take wing and fly. We never know what might happen next.

Failing and Flying

Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was 
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky 
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy. 
I believe Icarus was not failing as he fell, 
but just coming to the end of triumph.


(c)2012 Laura S. Packer Creative Commons License

Friday, October 26, 2012

Celebration countdown day 9: a love note

As you know, I've been counting down to my birthday with things I love, in the hopes that it might inspire us all to love the world more. I've missed a few days, but that's okay.

Well, tomorrow is my birthday. Over the last few days I've covered:
Really, these are all love notes to being alive. 

There are so many other things I could list. Dim sum, The Beatles, massage, dancing even when you suck at it, storytelling, eavesdropping, apples, the ocean, the feel and sound and smell of rain, the crunch of snow, so many people, laughing until my stomach hurts and and and...

The world is vast and possible. Our lives are what we make of them.

Love the world. Love yourself. Thrive as best you can. And happy birthday to us all, because really, every day is our birthday, a new day of life in this world.

The Summer Day
Mary Oliver

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don't know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn't everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

(c)2012 Laura S. Packer Creative Commons License

Monday, October 22, 2012

Celebration count down day 7: Being the fox

I love this poem. Be the fox.


MANIFESTO: THE MAD FARMER LIBERATION FRONT

by Wendell Berry

Love the quick profit, the annual raise, vacation with pay.
Want more of everything made.
Be afraid to know you neighbors and to die.

And you will have a window in your head.
Not even your future will be a mystery any more.
Your mind will be punched in a card and shut away in a little drawer.

When they want you to buy something they will call you.
When they want you to die for profit they will let you know.
So, friends, every day do something that won't compute.
Love the Lord. Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.

Denounce the government and embrace the flag.
Hope to live in that free republic for which it stands.
Give your approval to all you cannot understand.
Praise ignorance,
for what man has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millennium.
Plant sequoias.
Say that your main crop is the forest that you did not plant,
that you will not live to harvest.

Say that the leaves are harvested when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus that will build under the trees
every thousand years.

Listen to carrion--put your ear close,
and hear the faint chattering of the songs that are to come.
Expect the end of the world.
Laugh. Laughter is immeasurable.
Be joyful though you have considered all the facts.
So long as women do not go cheap for power,
please women more than men.

Ask yourself: Will this satisfy a woman satisfied to bear a child?
Will this disturb the sleep of a woman near to giving birth?

Go with your love to the fields.
Lie easy in the shade. Rest your head in her lap.
Swear allegiance to what is nighest your thoughts.

As soon as the generals and politicos can predict the motions
of your mind, lose it.
Leave it as a sign to mark the false trail, the way you didn't go.

Be like the fox who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.


(c)2012 Laura S. Packer Creative Commons License

Tuesday, October 16, 2012

Come celebrate with me

I love birthdays, mine and others'. My birthday is on the 27th and, in celebration of being alive in this glorious, confusing, thrilling, unsettling and exquisite world, I'd like to give you some birthday presents. Every day, between now and the day I turn 45 (45!? how did I get here?) I will post something I love that I'd like to share with you. I think the hobbits have the right idea - give presents on our birthdays to those with whom we share the journey.

So, to start, Lucille Clifton celebrates.



See you tomorrow for another one.

(c)2012 Laura S. Packer Creative Commons License

Monday, February 6, 2012

Poem: What things want, by Robert Bly


You have to let things
Occupy their own space.
This room is small,
But the green settee

Likes to be here.
The big marsh reeds,
Crowding out the slough,
Find the world good.

You have to let things
Be as they are.
Who knows which of us
Deserves the world more?

Creative Commons License

Saturday, January 14, 2012

Poem: One for old snaggletooth

One For Old SnaggletoothBy Charles Bukowski




I know a woman
who keeps buying puzzles
chinese
puzzles
blocks
wires
pieces that finally fit
into some order.
she works it out
mathematically
she solves all her
puzzles
lives down by the sea
puts sugar out for the ants
and believes
ultimately
in a better world.
her hair is white
she seldom combs it
her teeth are snaggled
and she wears loose shapeless
coveralls over a body most
women would wish they had.
for many years she irritated me
with what I consider her
eccentricities -
like soaking eggshells in water
(to feed the plants so that
they'd get calcium).
but finally when I think of her
life
and compare it to other lives
more dazzling, original
and beautiful
I realize that she has hurt fewer
people than anybody I know
(and by hurt I simply mean hurt).
she has had some terrible times,
times when maybe I should have
helped her more
for she is the mother of my only
child
and we were once great lovers,
but she has come through
like I said
she has hurt fewer people than
anybody I know,
and if you look at it like that,
well,
she has created a better world.
she has won.

Frances, this poem is for

you.
Creative Commons License
True Stories, Honest Lies by Laura S. Packer is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Based on a work at www.truestorieshonestlies.blogspot.com.
Permissions beyond the scope of this license may be available at http://www.laurapacker.com.
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